This is another really simple and deceptively quirky keyboard shortcut, but stay with me, because there are some unique scenarios in which I’ve used this a lot, surprisingly and saved time. Now, you can automate in real time by switching the track to auto latch mode, or go straight to edit and draw in the curve by hand. Right there in the plug in window you can just click on the parameter you want to automate and add it to the automation list. Shortcut: COMMAND+OPTION+CONTROL+CLICK on parameter Then you click on the AUTO window at the top of the plugin, spend minutes scrolling through the massive list of parameters, add the parameter to the automation window and head on over to edit to start drawing. First you have to stop what you’re doing and note the exact name of the parameter. To begin this process it gets a little clunky. Imagine you’ve got a plugin window up and you’re slowly adjusting the decay time on a reverb plugin, when you realize it would be WAY cooler if you automated this towards the end of the song. This one is super simple, but a life saver when you’re mixing.
![pro tools mixing window pro tools mixing window](https://images.squarespace-cdn.com/content/v1/54d696e5e4b05ca7b54cff5c/1518610249679-UV683LDN122KGNL64NUY/Pro+tools+2018+Mix+Window+Wide+Wide+Tracks.jpg)
OPTION+F – zoom to fit just the selected region in the window. You can also zoom back in by tapping CTRL+OPTION+UP ARROW a few times< Second, CTRL+OPTION+DOWN ARROW – tap a couple of times until all of the track heights all reset to the smallest of all track heights, allowing you to see everything on screen. Have you ever opened up a session from another studio, spent forever diving deep into a specific track or simply just gotten lost in the pile of tracks in your own session? Here’s a fast way to fit everything on screen and reset your bearings.įirst OPTION+A – resets the zoom view to fit the entire song on screen This one is actually a combination of a few moves. OPTION – assigns all the channels in the session to the same input/output.Ģ.
![pro tools mixing window pro tools mixing window](https://training.unh.edu/sites/default/files/media/introduction_to_audio_engineering_part_2_mixing_mastering.jpg)
SHIFT + CTRL – ADDS a duplicate path assignment (output only) You want to send all tracks back through their respective channels on the board, but don’t want to spend 10 minutes clicking on each channels IO path. –You’ve finished tracking an entire song and are ready to mix back through an analog console.
#Pro tools mixing window pro#
Simply add specific output busses, select the stem channels you want to bus and cascade away! Then go to ‘bounce to disk’ and in Pro Tools 11HD, you can bounce up to 16 stems all at once! MAJOR time saver. –You need to print stems with EFX and VIs and you have Pro Tools 11. –You’ve set up a 32 channel session with tempo maps and are ready to track drums basics! But when you get to the studio you’ve booked to record and you set up your IO settings, every track defaults to no input path.
#Pro tools mixing window series#
While holding, click on the first track and assign the input or output to the first of the series of IO busses and viola! the remaining selected channels will be assigned in sequential order. Select the group of tracks you want to cascade inputs or outputs However, what happens if you import tracks from another session, or switch I/O settings in a new studio, or even want to cascade the outputs to bounce printed stems? This is a newer one for me and I’ll also give you a couple of example of scenarios in which I’ve used this.įirst of all make sure you have a cascading input or output set as the FIRST in the series of IO busses in your IO setup dialogue. One of the coolest automated features of Pro Tools is the fact that when starting a new session, if you add a multitude of tracks at once to your session, Pro Tools automatically sets the output of each channel to the default monitor path and cascades the inputs based on your I/O settings. So without further ado, it’s time to geek out. If, on the other hand, you’re totally lost and have no idea what I’m talking about, don’t be afraid! Shoot me an email and I’d be happy to explain in more detail. If you have already been using some of these commands, congratulations, you’re an expert, but NO eye rolling or subtle “Duh, everyone knows that one…” Instead, share your favorite keyboard shortcuts are in our Music & Audio Facebook page. To save you the time and embarrassment, here are a list of the top five somewhat hidden keyboard shortcuts for Pro Tools that will save you time, energy, and frustration. You either calmly pretend you know exactly what they’re doing to save face (while trying to glance over their shoulder next time they aren’t looking) or blurt out “WHOA! What did you do just there?” Any producer or engineer that’s visited another studio or worked with someone new has had the moment where you glance out of the corner of your eye as someone else sits down in front of the console and whips out some super-slick Pro Tools shortcut you’ve never seen before.